Music

YouTube Bach Concerto and The Harvest
Bach and Harmonious Euphony
Monika Kornel and Diana Weston

George Frideric Handel (1685-1759)
Suite in C Minor HWV 446
for two harpsichords (reconstruction by David Vine)

01 Allemande
02 Courante
03 Sarabande
04 Chaconne

Antonio Vivaldi (1678-1741)
Concerto in C Major RV 178
after Vivaldi’s concerto Op. 8, No. 12
for two harpsichords (transcription by Stephen Yates)

05 Allegro
06 Largo
07 Allegro

Johann Sebastian Bach (1685-1750)
Concerto in C Minor BWV 1061
for two harpsichords

08 Allegro
09 Adagio ovvero Largo
10 Allegro

Diana and Monika Diana and Monika

The combination of two harpsichords is an unusual one and there is very little in the way of repertoire for it. Bach was one of the first to seriously match two harpsichords against each other – in not one but two concerti. When considering programming for the Annual Glebe Music Festival in 2008, director Dr David McIntosh eagerly snapped up the novelty of hearing works for 2 harpsichords, an idea subsequently taken up by the New England Bach Festival in Armidale. Monika had several others hidden in her archives – transcriptions, arrangements and reconstructions for the most part – and this combination of circumstance provided the impetus to form a unique partnership with a view to performing pieces rarely, if ever, heard.

The name Bach and Harmonious Euphony comes from a quote by Bach. His view was that all music should be a ‘harmonious euphony for the glory of God’. It refers primarily to harmony, that quality which is intrinsic to harpsichord playing. With two harpsichords, we hope the effect is doubly euphonious.

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